Our theater is safe space for all. We welcome everyone to audition.

AUDITIONS

September 22, 2024 at 5pm & September 23, 2024 at 7pm

Directed by Christine White. 

Please prepare 16-32 bars  (60-90 seconds) of a song in the style of the show. Bring sheet music for the pianist (we provide) or a track that can be played via bluetooth. A Capella singing is strongly discouraged. Please wear or bring proper dance attire (no sandals or flip-flops) and tap shoes if you have them. Everyone will participate in a general dance call, and tappers will be welcomed to stay for a stylized audition.

Callbacks will be on Wednesday September 25th at 7pm where there will be readings from the script and you may be asked to sing excerpts from songs in the show. 

ROLES

Bob Wallace (35-40): A former army captain and half of the song-and-dance duo Wallace and Davis, Bob is a world-wise, cynical yet charming individual with a strong sense of loyalty and duty. He falls for Betty, the elder of the Haynes sisters. His key songs include "Happy Holidays,"

"White Christmas," "Count Your Blessings Instead of Sheep," and "How Deep is the Ocean." Crooner who moves well. Baritone.

Phil Davis (30-35): Phil, the other half of the duo, is Bob's complete opposite - a fun-loving, adventurous, and somewhat mischievous individual who's always on the lookout for a good time and romance. He's instantly smitten with Judy Haynes. His main songs include "The Best Things Happen While You're Dancing," "Sisters (Reprise)," "I Love a Piano," and "Count Your Blessings." Strong dancer and comic performer. Bari-Tenor.

Betty Haynes (30-35): Betty is the older Haynes sister. She's independent, pragmatic, and protective of her younger sister Judy. Despite her skepticism, she finds herself falling for Bob. Featured songs include "Sisters," "Count Your Blessings," "Love, You Didn't Do Right By Me," and "How Deep is the Ocean." Mezzo-Soprano who moves well.

Judy Haynes (25-30): Judy is the more vivacious and adventurous of the Haynes sisters. She's a romantic at heart and often the driving force behind many of their decisions, including the one to follow Bob and Phil to Vermont. Her key songs include "Sisters," "The Best Things Happen While You're Dancing," "I Love a Piano," and "Snow." Strong Jazz and Tap Dancer. Alto Chest/Mix.

General Henry Waverly (50-60): The General is a stern, authoritative figure with a gruff exterior but a kind and caring heart. He's the owner of the failing Vermont Inn and was the commanding officer of Bob and Phil during World War II. This is a non-singing role.

Martha Watson (45-50): Martha is the General's lovable and nosy housekeeper. She's a Broadway performer in retirement and still has a flair for the dramatic. She has a heart of gold and only wants what's best for the General. Her main songs include "Let Me Sing and I'm

Happy" and "Falling Out of Love Can Be Fun." Alto Belt.

Susan Waverly (9-12): Susan is the General's curious and intelligent granddaughter with dreams of becoming a performer. She's wise beyond her years but still has a childlike innocence about her. She sings "Let Me Sing and I'm Happy."

Ralph Sheldrake: (30-50) Army buddy of Bob and Phil’s, now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional.  Baritone.

Rita and Rhoda: (20-30) Bob and Phil’s two star chorus girls. They are brash, sexy, and fun, although perhaps not the smartest.

Ezekiel Foster: (40-70) The ultimate taciturn New Englander, who helps out at the Inn and takes life at a very slow pace.

Mike: (20-50) Bob and Phil’s stage manager. Has a tendency to be over-dramatic and completely hysterical, but will get things done. Never seen without their whistle and clipboard, which they use to attempt to keep order.

Tessie: (20-50) Bob and Phil’s extremely competent assistant.

Jimmy: (30-50): The proprietor of “Jimmy’s Back Room,” a none-too-classy nightclub.

The Ensemble (all ages) will consist of a chorus of strong singers who can hold tight jazz vocal harmonies and a corps of dancers including a featured group of tappers. Members of the ensemble will also play a variety of smaller named roles in scenes.

AUDITIONS

January 26, 2025 at 5pm & January 27, 2025 at 7pm

Directed by Shaun Rice. 

Prepare 16-32 bars of an upbeat musical theatre or gospel song that best shows off your vocal & acting ability. Men should be ready to demonstrate their falsetto. Everyone should be prepared to read scenes from the show. Please note – this is not a “dance” musical; however, we will ask you to give us your best pirouette to gauge dance potential. 

CHARACTER BREAKDOWNS 

**All roles sing even if vocal ranges are not provided 

Deloris Van Cartier 

An aspiring performer, trying to find both fame and a place in the world. When forced to hide in the convent, she initially refuses to embrace her new lifestyle but learns to embrace it when she works with the choir. Loud-mouthed, and sassy, but ultimately caring.
Female 25 to 35 African American 

Vocal range top: F#5 Vocal range bottom: E3 

Mother Superior 

The head of the convent, sarcastic and a bit stiff. Extremely protective about keeping her sisters away from the outside world, which puts her in direct opposition to Deloris and her musical teachings.
Female 40 to 70 

Vocal range top: E5 Vocal range bottom: D3 

Sister Mary Robert 

A postulant, abandoned as a baby and raised at the convent. Shy and soft-spoken, but singing with Deloris lets her find her voice. Her wallflower lifestyle has made her live a shell of a life. Female 18 to 25
Vocal range top: A5 Vocal range bottom: F#3 

Sister Mary Patrick 

A nun of the convent. Consistently perky, enthusiastic, and easily excitable. Female 35 to 50
Vocal range top: B5 Vocal range bottom: A3 

Sister Mary Lazarus 

A nun of the convent and the head of the choir. Rather deadpan and the least welcoming of any of the nuns, but she gets caught up in Deloris's soul music.
Female 50 to 70
Vocal range top: B4 Vocal range bottom: F3 

Monsignor O'hara 

One of the heads of the convent. Constantly concerned with financial matters, though soul music surprisingly puts him in a different mood.
Male 45 to 60
Vocal range top: G4 Vocal range bottom: E3 

Curtis 

A club owner, notorious gangster, and Deloris's boyfriend. Cocky and controlling, always on the verge of violence.
Male 30 to 40
Vocal range top: Ab4 Vocal range bottom: A2 

Eddie Souther 

The desk chief at the Philadelphia police station and a high school classmate of Deloris who helps get her into hiding. Faces a lot of nerves when under pressure, causing him to sweat profusely. He still yearns for Deloris after all these years, and dreams of being her hero. Male 25 to 35 

Vocal range top: B4 Vocal range bottom: Ab2 

TJ 

Curtis's nephew and one of his thugs. Deft and cognizant of the fact, constantly in a state of ignorant bliss.
Male 18 to 30
Vocal range top: Eb5 Vocal range bottom: Db3 

Joey 

One of Curtis's thugs. Believes himself to be quite the ladies' man. Male 30 to 40
Vocal range top: Eb5 Vocal range bottom: Bb2 

Pablo 

One of Curtis's thugs. A natural follower, constantly speaks in Spanish. Male 25 to 40 Hispanic
Vocal range top: F5 Vocal range bottom: C4 

Sister Mary Martin-of-Tours 

A nun of the convent. Clearly in her own world, but has her moments of surprising clarity. Female 40 to 60 

Sister Mary Theresa 

A nun of the convent, the oldest of the group. Decrepit at a glance, but secretly packs a punch. Female 60 to 70 

Michelle 

One of Deloris's back-up singers. Lippy and always quick with a retort. Female 20 to 30
Vocal range top: F5 Vocal range bottom: Bb3 

Tina 

One of Deloris's back-up singers. A little thick and naive. Female 20 to 30
Vocal range top: F5 Vocal range bottom: Ab3 

Ernie 

One of Curtis's thugs. Initially thought to be a mindless yes-man, he turns out to be an undercover police informant.
Male 25 to 35 

Chorus 

Ensemble chorus that will play the other nuns in the choir as well as cops, bar patrons, etc. 8 Female / 4 Male – 1 male chorus member will appear in drag